SPOILER ALERT: Contains spoilers for
The Terminator, Terminator 2: Judgment Day, Terminator 3: Rise of the Machines, Terminator: The Sarah Conner Chronicles, and
Terminator: Salvation.The Terminator universe has long been one of my favorite sci-fi franchises, a good antidote to Star Trek's frequent lapses into the land of liberal wet-dreamism. On a personal level, T2 was the movie that made me realize that I had grown past kid's movies. In the scene where Sarah, John, and the T800 are fleeing the mental institution, a tear rolls down John's cheek when Sarah is angry at him for risking his life to save her. The T800 sees this, and asks John, “what's wrong with your eyes?” I had been looking away from the TV screen at that moment, probably getting another slice of pizza, and thought to myself, “he's probably squinting and needs glasses; he will resent this, and the T800 will later ask him why he resents a component of one of his systems, and he will get over it.” I had reliably predicted pandering life-lesson garbage like this in children's movies for several years, and was growing quite sick of it. When the credits rolled and that line was never uttered, I realized that I had crossed a threshold into something much better.
Naturally, I was very excited when I heard about T4, since I was enjoying the Sarah Conner Chronicles immensely but T3 had been a bit of a letdown (but with its good points, nonetheless). Having seen T4 through twice now, my mixed feelings remain and I feel compelled to share some of my thoughts. Some reviewers have already made some of these points, but I have tried to offer my own perspective on all of them.
What went right:
Best damn movie trailer I've ever seen. Go watch it if you haven't already.
Props, sets, costuming, and atmosphere. The “look and feel” of this film is absolutely spectacular. Principle cast members were required to read The Road, and the beneficial influence is easy to see. The double-helix-and-broadsword insignia of the Resistance is a great motif, though I can't help but wonder if someone on the production staff stole the idea from the Knights Templar of Deus Ex: Invisible War (images); both organizations exist to fight “the machine,” and the resemblance between their insignia is uncanny. Bottom left, the John Connor action figure showing the insignia prominently; upper left, a close picture of the design; right, screenshot from Invisible War from a clandestine Templar lair; click for larger version:
A-10 Warthogs as the Resistance's primary air resource. A-10s can perform a variety of roles but excel at infantry support, which is probably what would be most needed in the war on SkyNet, at least on a day-to-day basis. Plus, A-10s are legendary for for their ruggedness and multiple-redundancy, a good asset in less-than-ideal maintenance conditions.
John Conner famous as a voice of hope on the radio. T3 ends with the beginning of this, and it's great as a continuity point and as a thematic element. He appears to preface all of his addresses with, “if you're listening to this, you are the Resistance,” in contrast to the stodgy, bureaucratic, self-aggrandizing leadership of the Resistance. Anybody who knows me well understands why this resonates with me.
Primitive SkyNet, primitive weapons: People have complained about the use of conventional smallarms, and robots that are vulnerable to them. These people forget that T4 takes place about 10 years before every other glimpse of the war that we've seen so far; M16s against breakable T600s is a feature, not a bug, of this story. (If you pay attention, however, you can see the beginnings of the energy weapons common in the 2029 era: the harvester bot has one mounted as a cannon on its shoulder.) It was also quite refreshing to see their performance on other things portrayed realistically as well: what do you get when you shoot a gas tank with a shotgun? A leaky gas tank. Also, it is made quite clear that SkyNet is still a serious threat even with its San Francisco base destroyed; this is consistent with the idea of a distributed SkyNet with no system core that we were introduced to in T3. One odd point of contrast, though: in T1, Reese says that the humans lay low during the day and fight at night, and we see this happening in the flashforewards; in T4, he says the opposite and the humans do the opposite. Whether this reflects a different level of imaging technology available to SkyNet in 2018 vice 2029, an eventual change in tactics by the humans, or a simple continuity gaff, I'm not sure.
Roland Kickinger: This is the Austrian bodybuilder who played the T800 prototype in lieu of Arnold Schwarzenegger. Fanboys who say there is but one true T800, and he is Arnie, need to get over it. The idea of roles getting locked into only one actor is very new; imagine the loss to our culture if the role of Hamlet had gotten locked into one actor (this example is not my own, but I don't remember where it came from). It will also be interesting to see how the digital insertion of Arnie's face will stand up to the test of time.
What went wrong:
Have a heart. My suspension of disbelief is funny like this. I can accept robots that look human. I can accept time travel. I can accept sentient computers. I cannot accept a successful heart transplant being performed with second-world-at-best-level medical technology, in a field hospital, by a veterinary assistant (no diss on veterinary assistants intended, I'm just sayin'.) Each of the Terminator installments have a critical twist of some sort like this near the end: John Conner's conception Ouroborus in T1, the T800's self-sacrifice in T2, hiding out to live in T3, and forward in time to the war in SCC. T3's awesome twist turned a D+ movie into a B- movie, and by corollary, T4's stinker turned a B- movie into a C- movie.
Have a personality. If Christian Bale had played John Conner's face-to-face dialog with half the charisma that he displayed on the radio, the character would have been much more believable. Also, his speech about “we've been fighting a long time” to Wright, while quite good on its own merits, looses some of its gravitas when you consider that Wright has no clue what the hell Conner is talking about.
No. NO. NO!!! HOLY CRAP ON TUESDAY'S TOAST, NO!!!!! You're not going to shock someone out of asystole with a pair of wires you yanked out of the wall, or with a defibrillator for that matter. This is almost as annoying as the Glocks that make cocking sounds as you draw them in SCC. The CSI effect applies to disciplines other than forensic science, too.
Action scenes flat for lack of music. The lack of accompanying music was what made several of the chase scenes in T3 play flat, and T4 has the same problem in several places.
Not enough running and hiding, too much pounding and throwing. Most of the fight scenes between humans and terminators in previous installments involved a lot of running and hiding on the parts of the humans, because the terminators could turn them into hamburger quite easily. When Michael Biehn was asked in an interview about what it was like working with Arnold Schwarzenegger in T1, he had to respond that he really didn't know, since he was never in frame with Arnie; by the time Reese is in frame with the T800 (then fleshless and portrayed by a puppet), he doesn't have long to live. They should have remembered this when writing the last fight scene of T4. Unless, of course, they were trying to imply that a cat had a hand (paw?) in writing SkyNet, which means that terminators play with their prey before killing it.
What could have made it better:
Bloodthirsty. Instead of a heart transplant, have Conner need a massive blood transfusion, be type AB-, and have Wright be the only available source of AB-. This kills Wright, a redemptive fate that he willingly accepts. Not only would this be more realistic, but also consistent with the identification of blood with humanity (near the beginning, Reese says of the Resistance armband, “it stands for blood.”).
Help a brother out. I realize that T4 and SCC would probably have to take place in different timelines, and maybe T4 couldn't mention or show Derek Reese for legal reasons, but a throwaway line from Kyle Reese referencing “my brother” would have been a nice.
War is hell. So is life after death for Wright. Put yourself in Wright's shoes. You're executed, then wake up in the war against SkyNet (naked and taking clothes from a dead body, a subtle reference to naked time traveling from previous installments). Wouldn't you think to yourself, “is this hell?” The idea of heaven and hell having a geography similar to earth is not unheard of. Milton used it in Paradise Lost, and Hellblazer/Constantine expanded on it. Some development of this idea in T4 would have been interesting.